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KingвЂ™s version of вЂњ3 OвЂ™Clock BluesвЂќ was one of the best-selling R&B songs of the 1950s, and proved to be the launching pad for his vaunted career. The song was a cultural force, a Chicago blues hit that helped define 50s music.Д«.B. Checker Records gave him a flyer, and in his first studio session, Williamson churned out вЂњDonвЂ™t Start Me To Talkin,вЂќ one of the best songs of the era. When Trumpet Records folded, Sonny Boy Williamson was without a home. It was just one of the films that Herrmann worked on by iconic film director Alfred Hitchock.ДЁ6: Sonny Boy Williamson вЂ“ DonвЂ™t Start Me To Talkin

#BEST QUIET STORM SONGS TV#

When they put two of the strange pieces together, it became one of the most memorable TV theme songs ever, and an iconic bit of 50s music.Д«ernard Herrmann was one of the most important soundtrack composers ever, and Vertigo was among his greatest achievements. The solos by members of his orchestra occasionally steal the show, but itвЂ™s TitoвЂ™s skills as a vibraharpist on вЂњRan Kan Kan,вЂќ that carries the tune.ДЁ8: Marius Constant вЂ“ Twilight Zone ThemeДЇrench composer Marius Constant wrote the indelible parts of The Twilight Zone theme song for a song library the network was compiling for the show. вЂњRan Kan Kan,вЂќ from his 50s smash hit album, Mamborama, features little aside from staggeringly innovative arrangements. Tito Puente didnвЂ™t need vocals to create a hit. His unique style of playing would make its way to just about every corner of sub-Saharan Africa.

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Jean Bosco MwendaвЂ™s вЂњMasangaвЂќ showcases the renowned guitarist in full flight. вЂњDianaвЂќ is one of the biggest songs of the 50s, but songwriter Paul AnkaвЂ™s visionary style spanned multiple eras of popular music, including multiple comebacks in later decades with songs like вЂњ(YouвЂ™re) Having My BabyвЂќ and вЂњHold Me вЂTil the Morning Comes.вЂќ But set alongside the film Ben Hur, the composition took on a new life, accompanying one of the best films of the classic Hollywood era. The melodic refrain of Miklos RozsaвЂ™s вЂњOvertureвЂќ likely could have been a powerful music moment of the 50s on its own. ThereвЂ™s just something about the playful yet tension-filled ambiguity in the track that appeals to confused lovers across the world. Rodgers and HammersteinвЂ™s вЂњShall We Dance?вЂќ is the rare show tune that appeals to both Broadway diehards and the casual music consumer. A performance of the song by London in the 1956 film The Girl CanвЂ™t Help It helped to make it a bestseller, though it likely was destined for 50s notoriety regardless.Д©3: Rodgers and Hammerstein вЂ“ Shall We Dance? Long before Justin Timberlake was around, Julie London popularized the phrase вЂњcry me a riverвЂќ thanks to her hit of the same name.

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ItвЂ™s widely cited as a rock and roll staple, plus BurnetteвЂ™s innovative guitar work introduced distortion as a thrilling, intentional artistic choice. Tiny Bradshaw created вЂњTrain Kept A-Rollin,вЂќ but Johnny Burnette and his group turned it into one of the best songs of the 50s.

From humble beginnings, вЂњBecause of YouвЂќ helped launch one of the biggest careers in music.Д©5: Johnny Burnette & The RockвЂ™nвЂ™Roll Trio вЂ“ Train Kept A-Rollin вЂњBecause of YouвЂќ was his first major hit song, reaching No.1 on the Billboard charts and staying there for ten weeks.

Long before Tony Bennett was celebrated as one of the defining voices of the 50s, he was a struggling singer. The first verse of the song is sung in HenryвЂ™s natural voice, the second in a falsetto, and the third in a frogвЂ™s voice. вЂњAinвЂ™t Got No HomeвЂќ by Clarence вЂFrogmanвЂ™ Henry manages to simultaneously be one of the definitive songs of the blues era, and a kitschy, playful ballad of a bygone era.

The song is the centerpiece of a Dust-to-Digital reissue in conjunction with the International Library of African Music.Д©7: Clarence вЂFrogmanвЂ™ Henry вЂ“ AinвЂ™t Got No Home вЂњMamwana Kufika MundaвЂќ was a powerful piece of rumba music, a tune that Ilunga Patrice, Misomba Victor, and friends recorded and were eventually remastered by Hugh Tracey. The group never again reached the same heights, but that songвЂ™s outstanding impact is more than enough to solidify their legacy.Д©8: Ilunga Patrice, Misomba Victor and Friends вЂ“ Mamwana Kufika Munda (My Love Is Upset) Long before the term вЂњone-hit wonderвЂќ had been coined, The Chords were known for their breakthrough smash вЂњSh-BoomвЂќ andвЂ¦little else. It was released on the Dot label in 1957, with a swaggering, grooving drum beat and an infectious piano line that sounds pulled straight from a different era. вЂњWanted For QuestioningвЂќ was the only single Bob Lee ever recorded with the Mike Moore Orchestra. ItвЂ™s since gone on to become a pop culture touchstone, appearing in movies across the decades. 101: The Four Aces вЂ“ Love Is a Many-Splendored ThingД¬ommissioned for the 1955 film of the same name, this Four Aces song eventually won the Academy Award for Best Original Song.

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